What's with the manga?

I have been reading manga recently. I say reading, but really I apply that verb with a variety of degrees of accuracy, considering I'm reading in Japanese, and my Japanese remains not-great. So what's with this stack?

Well Joe-Bob, it's a funny story. Yuki was selling an old mobile phone, and got a 500 yen voucher for the used store. But there was nothing either of us wanted to buy, so I picked out five first volumes for a hundred yen each and now I have a bunch of extra manga that I might not read.

Was that a funny story? Not really. Sorry, Joe-Bob.

Anyway there are some manga that I'm reading pretty seriously. Lets see - working down from the top...

Deathnote Vol. 1 - Everyone knows Deathnote, right? Popular enough to spawn three movies, a forthcoming American remake and the Manga's available in English too I believe. This was one of my 100 yen  purchases, and that only one I've started so far. There are sections where the Japanese is beyond me, but everything has furigana - small characters telling you how to read the kanji - so it's easy to look stuff up if I don't know it. Looking anything up takes time though, and I can understand Deathnote pretty well so far so I haven't bothered. The story of a boy who finds a notebook with the power to kill anyone whose name is written in it, I'm not all that far into it, but I like how it doesn't take long at all for the boy to become a budding sociopath and start killing people like crazy. It might be a crude reduction, but I'm guessing that, like Evangelion and Gantz to some degree, Deathnote is another smash hit series aimed at somewhat antisocial insular folk who hate the world, with the underlying message that it's not good to hate the world. Could be wrong about that.

Drop Vol. 1 - is another 100 yen snap. It's a yankee manga about delinquent youths, and it looks like it has a slightly cartoony style, which I kinda like. I haven't read any of it, but a movie of it came out just after I came to Japan, so I'd heard of it before.

Touch Vol. 7 - is my most serious manga reading project. Recommended by the wonderful Yukiko, it's a 1980s high school, sibling rivalry, love-triangle, baseball story by Adachi Mitsuru. It has furigana spelling out the kanji, but the dense 80s high school slang makes it a little tricky to unpick the grammar at times, and I'm told that some of the phrases used are dated to say the least. But it's a fun story, and with Touch I'm looking up and translating everything. It takes a while, which is why I'm only on volume seven, after reading it forever, but it's kind of worth it, and I like Adachi's drawings too.

Gantz Vol. 14 - So, I started reading Gantz when the first film was coming out, because... I don't remember why. The concept piqued my interest or something. Anyway, I care about missing things in Touch, and I take care reading it, but Gantz is basically high-concept trash so I've just been blazing through these volumes like anything. In fact the only thing slowing me down has been the fact that the series is so popular now it's hard to find the volumes in used stores when you want to read them. There's no furigana,  which makes it irritating to look things up and so I haven't bothered. There are fan translations online, and at first I was reading both at the same time to test my understanding. Then I realised that in Gantz there are often action sequences that are two hundred pages long, and that most of the dialogue in those is "GODDAMNIT!" and "AARRGH!" and "IT HURTS!" and most often, "OH SHIT! OH SHIT! I DON'T WANT TO DIE!" And it's much more fun to read comics on paper than on a screen so now I just blast through the Japanese books and if there's something really important that I think I'm missing I look that bit up online. I half like / half hate Gantz. The writer, Oku Hiroya, said that he had the idea for Gantz in high school and boy does it feel like that. People die, but instead of dying they're sent to a mysterious room where a mysterious ball gives them crazy future-tech weapons and sends them off to defeat 'aliens' that are hiding on earth. After that they're free for a while until the next 'game'. There's insanely gratuitous violence, nudity and sex, and for a while it really did feel like a very well rendered 16 year-old boy's wish fulfillment project. But the internal logic of their tasks and the problems they face are so really well done, and I did want to see where things were going enough to keep reading at the start. Then after a while I guess I became inured to it, or it just got better, and certainly the main character developed a lot, and I was thoroughly enjoying the big arc that I just finished, which had some amazing action pieces. Now there are some vampire dudes and I'm not digging it so much though... I'm halfway through the whole run thus far though, so I reckon I'll still keep going.

Hana Yori Dango Vol 1. - This is a super-popular high-school romance manga. I haven't read any of it yet, but I will! I need an antidote to Gantz.

Rideback Vol 1. - I don't know anything about this, but I liked the colours on the cover, and I liked the loose illustration style inside. It seems to be a girl and robot motorcycle vs. facist state thing? Or a race thing? No idea really!

20 Seiki Shonen Vol 1. - I already know the story to this, and I love Urasawa Naoki, but I've never read the manga. So I figured, I really should start. After all, James read the entire bloody thing.

So that's too much rambling about manga. Next time more food, or possibly music. Depends on how lucky you are.

On watching both of Michael Bay's Transformers movies in one day.

It was actually quite fun.

I mean, don't get me wrong, they are terrible movies that fail on almost every level. The script, the plot, the pacing, the acting, the direction and cinematography, ad infinitum - nothing is good.

Because Michael Bay is a terrible director.

It feels so redundant to say that too. Everyone says Michael Bay is a terrible director, and yet there's a feeling like that's ok, because he fits into the mold of the Hollywood blockbuster director who just wants to blow shit up. Hell he even made fun of himself for the same.


But over the course of the whole five-hour-shebang so far there were actually two shots, two moments, one in each film, where Michael Bay actually used a good shot. I mean, the composition of the image on the screen looked good - and not just because it was a spectacular action sequence (for the record, one was when the hoover dam was attacked, the other was when Shia Leboeuf comes back to life and is looking up at Megan Fox). I was struck dumb both times, because I realised how much better these movies could be if Michael Bay was a half decent director. Or, and I hate to cast the blame around carelessly, but maybe his director of photography, or cinematographer, or whoever frames the shots, if maybe they were any good... wow, these movies could have been awesome.

Michael Bay can bring a huge blockbuster in with relatively few difficulties, and in it you can see huge robots kicking the ever-loving crap out of each other, and it looks spectacular. But if some of those fight scenes had been well paced, staged and framed the movie would have been dazzling. The finale of Transformers 2 was full of explosions and robots and deus ex machinas and running but there was precious little actual tension since after the first five minutes you had no feeling of where the characters are looking or aiming or who is fighting who or how far LeBoeuf has to go to to get to his goal... the whole thing just seemed flabby and pointless.

The reason I kind of enjoyed the films was that the second one was kind of funny, it had a bunch of laugh out loud moments for me that the first aimed for and missed by a country mile. Also no matter how hard I ask Santa, or pray to Little Baby Jesus, Gus Van Sant is never going to make a movie about giant robots kicking seven bells out of each other, and from time to time that's what I want to see. So if Michael Bay can get that shit done, then that's one thing in his favour.